Smithsonian’s newest museum to celebrate black culture

Tourists on the National Mall on Monday acknowledged the potential for the National Museum of African American History and Culture to broaden understanding of black culture as the building nears completion, but many were unaware of the museum’s construction before they arrived.

When asked about the site, reaction to the building and its future was overwhelmingly positive.

The museum will “help us understand what people of color have gone through,” said Michael Wolf, 51, a white man from Minnesota. It will educate us “so that we don’t repeat stupid things like slavery.”

Construction began in 2012 and is expected to be completed in 2016 according to the Smithsonian website.

The National Museum of African American History and Culture under construction at 14th Street and Constitution Avenue on the National Mall.
The National Museum of African American History and Culture under construction at 14th Street and Constitution Avenue on the National Mall.

Although the reaction to the museum was overwhelmingly positive, many white tourists were uncomfortable talking about the museum in the wake of a year in which racial tensions have flared. Many who agreed to be interviewed declined to comment once told the subject of the story.

Those who did share their opinions agreed the museum would help people appreciate the role blacks have played in American history.

The museum will highlight African American “achievements and accomplishments that have made the United States great,” said Wolf, who was touring the World War II memorial.

Stacey Jones, 46, a black woman from Houston, Texas said the museum will “help people see the contributions that African Americans have made to our society.”

The construction of the museum is a milestone for African Americans, and President Barack Obama weighed in on that significance during a groundbreaking ceremony in 2012.

“I want visitors to appreciate this museum not just as a record of tragedy, but as a celebration of life,” Obama said according to a transcript of the groundbreaking ceremony posted to the White House website.

On the Mall this week, tourists said they hope the museum will provide education and connect races.

“A better outlook at the other people,” said Marco Middleton, 25, a black man from Georgia about his hope for the museum.

It will “help us not compete against one another,” Middleton said.

The museum’s website reflects Middleton’s opinion, describing the museum as “a place that transcends the boundaries of race and culture that divide us.”

“It is the only national museum devoted exclusively to the documentation of African American life, art, history, and culture,” according to the Smithsonian website.

Different ethnicities will be able to understand black culture, Jones said.

“People will see things from our point of view,” Jones continued. “History textbooks are from a white perspective.”

Exhibits will focus on slavery, Reconstruction, the Harlem Renaissance and the Civil Rights Movement, among others, according to the museum’s website. The collection is being formed.

Some people are blind to real history, said Pamela Clerk, 51, who is black.She hopes it will help younger generations learn.

The museum will have student workshops to offer that perspective that Jones said cannot be found in schools.

Student workshops at the museum “are a resource for youth (ages 10-18) in which themes in American history are illuminated through the lens of African American experiences,” according to the museum’s website.

That’s good news to Clerk.

“We have a great history and we’re great people,” Clerk said.

 

Students get inspired on visit to downtown Bloomberg offices

Students in American University’s Discover the World of Communication professional news-writing program visited on Wednesday Bloomberg’s Washington D.C. news headquarters to see how a professional media outlet runs.

Bloomberg White House reporter Margaret Talev takes American University Discover the World of Communication students on a tour of Bloomberg's TV studio. Photo by Margot Susca.
Bloomberg White House reporter Margaret Talev, far right, takes American University Discover the World of Communication students on a tour of Bloomberg’s TV studio. Photo by Margot Susca.

The professionalism of the Bloomberg offices gave the aspiring journalists high expectations for their future careers.

“If I weren’t interested in sports I could definitely see myself working there,” said DWC student Sam Goldfarb, 15.

Students arrived at the New York Avenue office building in downtown Washington and took the elevator up to the top floor. At its district branch, Bloomberg has offices on the 8th, 10th and 11th floors.

“All Bloomberg offices are on the top floor,” said Margaret Talev, 43, Bloomberg’s White House correspondent.

At Bloomberg bureaus Talev explained the company always occupies the top floor, has an aquarium and displays fresh flowers.

Students also noted that journalists were grouped into cubicles based on the subject they cover. Each person had two monitors: one with Bloomberg’s internal system and another used to write articles or access the internet.

“It was a lot bigger than I expected,” said Goldfarb, who had previously visited Comcast Sportsnet’s D.C. offices.

The 11th floor is home to TV and radio personnel, as well as the snack bar and makeup room. Tours aren’t open to the public, but the staff created a welcoming environment for the students and encouraged them to ask questions.

Students had to remain quiet as they passed by one man reading out stock information into a microphone as he concluded a radio broadcast.

 A column in Bloomberg's downtown D.C. offices.
A column in Bloomberg’s downtown D.C. offices.

After visiting the snack bar, students took the stairs down to the 10th floor, where the print journalists work, and where the television studio is housed. Students visited the TV studio and observed the teleprompters and microphones that are central to a television operation.

The print journalists’ offices share the same cubicle layout as the 11th floor. Columns dispersed among the cubicles were wallpapered with news articles.

On the 8th floor, students met with famed Bloomberg journalist Albert Hunt. Hunt spent 39 years at T

he Wall Street Journal before moving to Bloomberg news in 2005.

Hunt gave students a key piece of writing advice: be concise and simple.

“If I don’t understand a story in the first three paragraphs the odds are I’m going to stop reading it,” Hunt said.

Hunt encouraged students to pursue journalism because it allowed writers to meet people from a variety of backgrounds.

“In journalism, everyone you meet is interesting,” said Hunt.

Confederate flag a “symbol of the past”

The Confederate flag flies near the South Carolina Statehouse in Columbia, S.C. (Photo: Rainier Ehrhardt/AP)
The Confederate flag flies near the South Carolina Statehouse in Columbia, S.C. (Photo: Rainier Ehrhardt/AP)

Washington D.C. residents reacted Wednesday to the revamped controversy surrounding the Confederate flag flying over South Carolina’s state capitol, which has fueled debate over institutional racism in America a week after a gunman allegedly killed nine parishioners at a historically black church in the state.

The Confederate flag jumped into the media spotlight June 20 when photos surfaced of Dylan Roof, the alleged 21-year-old white shooter, holding a gun and the flag.

Locally, residents and workers in the district want the flag gone.

“The flag is the physical representation of [America’s] supremacy background,” said American University student Leayrohn King, 18, who grew up on the U.S. Virgin Islands.

King, who is black, said the flag still carries racist symbolism outside the continental United States. The movement supporting the flag is like an uprising of those trying to return to a time when white supremacy was “true and apparent,” King continued.

Jarvis Armstrong, a 30-year-old black man who grew up in Washington D.C., echoed King. The flag is “a symbol of white America,” Armstrong said.

The flag still is displayed on the lawn of the South Carolina capitol building 150 years after the collapse of the Confederacy. And calls for it to be taken down have grown in the wake of the shooting.

“It’s very surprising that it’s still there,” said David Kearns, 40, a white man from New Jersey.

The biggest problem is that the flag remains tied to the government of South Carolina and not just its residents, well after slavery and segregation ended said Steve Monroe, 66. Monroe grew up in Washington D.C. but lived in Indiana for a brief period.

The flag, Monroe said, has become a symbol taken on by other places outside of the South and stands for something “racist and hateful.”

South Carolina governor Nikki Haley hinted on Twitter on June 22 that the flag could be coming down soon, tweeting “…our state Capitol will soon fly the flags of our country & state, and no others.”

People were quick to blame the flag for Roof’s actions, but others including Monroe and Jody Dixon, 29, said the flag alone couldn’t have spawned the shooting.

“It’s definitely a symbol of oppression,” said Dixon, who is black. Dixon said getting the flag down would be a victory.

The flag is a “symbol of the past” said William Fells, 18, who is black. He continued, “It makes a lot of people feel unwelcome and uncomfortable.”

Heather Cox Richardson, a 19th-century America historian and professor at Boston College, says the flag still represents the same sentiments that it did at the end of the Civil War.

“The flag represents opposition to an active national government,” Richardson said in an article published in June on the Boston College Office of News and Public Affairs website.

“Roof believes that whites should control the government,” Richardson continued, “just as white southerners believed after the Civil War. In that era, they organized the Ku Klux Klan to keep the government in the hands of white people. We’re looking at the same issue now. African Americans, women, and minorities are demanding a say in the American government and there’s a significant part of the population that thinks that’s a really bad idea.”

Roof was reported to have told his victims that blacks in the U.S. were gaining too much control.

“You rape our women and you’re taking over our country,” Roof reportedly said in the church during the shooting rampage, according to Sylvia Johnson, a cousin of one of the shooting victims, who told NBC News she had spoken to a survivor.

Back in Washington D.C., opposition to the confederate flag and horror about Roof’s actions remained strong nearly two weeks after the shooting.

The flag is “clearly a symbol of something negative,” said Paula Warrick, 51, who is white.

Warrick spent several years growing up in Lynchburg, Virginia, where she said the flag was displayed prominently on cars and homes.

“The flag is an ingrained symbol of racism,” Warrick said.